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(...)The grid came to epitomize this new thinking and represented a complete break from the art of the preceding century in which perspective was used to demonstrate the relationship between reality and representation. It completely denied this relationship – serving to flatten the picture plane and if referring to anything, it was the physical qualities coupled with the aesthetic dimensions of the surface, which were its subject matter.(...)
THE GRID - PHYSICAL, SPIRITUAL OR BOTH?
HILARY ELLIS


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